Discover

Discover India. East to West. North to South. City by City.

Every place has a story. Stories that sustained us then, sustain us now, and will carry us forward.

Discover the products, places and traditions that give India’s cities and regions their distinct identity.

Know the place. Discover what it makes.

  • From every corner of India
  • From the people who keep it alive
  • From traditions that evolve
  • From stories worth sharing

Baluchari Silk Weaving

Bishnupur, West Bengal

Baluchari is a silk saree from Bishnupur in Bengal whose deep-toned body is framed by an elaborately figured border and, above all, a pallu filled with pictorial panels — scenes from the Ramayana and Mahabharata, nawabi durbars, women in palanquins, horse riders, hunts and hookah smokers — rendered in one or two contrasting silk colours. A version woven with gold-coloured zari instead of coloured silk is called Swarnachari. The saree reads almost like a comic strip, each rectangular panel a separate scene, with smaller vignettes repeating in the borders.

Bankura Terracotta Horse Craft

Bankura, West Bengal

The village of Panchmura in Bankura district makes the tall, angular terracotta horse — upright pricked ears, an arched neck, a tubular body on four straight legs — that has become an emblem of Indian handicraft and the crest of the All India Handicrafts Board. The potters also make elephants, the Manasa chali (a shrine plaque for the snake goddess), Gauri-Shankar figures, oil lamps, wall panels and decorative animals, all fired to a warm burnt-sienna red.

Bengal Dokra (Lost-Wax) Craft

Dariyapur, West Bengal

Bengal dhokra is lost-wax brass casting practised by the Karmakar (Dhokra Kamar) community, chiefly at Dariyapur in Purba Bardhaman and Bikna near Bankura. The craft produces stylised figures — owls, elephants, horses and riders, peacocks, tortoises, Lakshmi and Durga, tribal dancers, measuring bowls, lamps and jewellery — all covered in a delicate ribbed pattern from the coils of wax thread used to model them. The owl, associated with Lakshmi, is the best-known Bengal dhokra form.

Bengal Jamdani Weaving (Kalna)

Kalna, West Bengal

Jamdani is a labour-intensive figured muslin in which motifs are woven in by hand as a discontinuous supplementary weft, so the pattern appears to float on a sheer cotton ground with no long floats behind it. In West Bengal the craft is concentrated around Dhatrigram, Samudragarh and Kalna in Purba Bardhaman district, and in parts of Nadia, producing sarees, dupattas and yardage in fine cotton, sometimes with silk, zari or a coloured motif thread. Designs range from scattered buti sprigs to dense all-over jaal and heavy figured anchals.

Darjeeling Himalayan Woollen Craft

Darjeeling, West Bengal

The Darjeeling hills of West Bengal — Darjeeling, Kalimpong and Kurseong — are known for woollen craft carried and developed by their Nepali, Lepcha, Bhutia and Tibetan-refugee communities: hand-knitted sweaters, socks, gloves and caps in colour patterns; woven shawls, jackets, mufflers and bags; and hand-knotted wool carpets in Tibetan designs made at the refugee self-help centres. The crafts sit alongside the region's tea and tourism economy.

Dhaniakhali Saree Weaving

Dhaniakhali, West Bengal

Dhaniakhali, in Hooghly district of West Bengal, weaves a fine cotton tant saree known for an especially tight, close weave that gives it body and durability, a smooth drape and a firm, almost starched handle. The signature is a bold, solidly coloured border — often black, maroon, green or dark blue — set against a lighter body, with a striped or figured pallu and sometimes small butis on the field. It carries a Geographical Indication.

Kalighat Painting

Kolkata, West Bengal

A bold, quick style of watercolour painting that grew up around the Kalighat temple in 19th-century Calcutta, sold cheaply to pilgrims as souvenirs. Sweeping brushstrokes, rounded shaded figures and a sharp eye for city life turned gods, courtesans, babus and scandals into some of India's first modern popular art.

Kantha Embroidery

Kolkata, West Bengal

Kantha is a running-stitch craft of Bengal in which several layers of soft old cloth — worn saris and dhotis — are laid together and quilted with a simple running stitch, both to hold the layers and to draw pictures and patterns. Traditional nakshi (figured) kantha is covered with folk imagery: the tree of life, lotus, sun and moon, fish, elephants, kalka paisleys, scenes of village and ritual life. Today the stitch is also worked as surface embroidery on new fabric — sarees, stoles, jackets, cushion covers — for the fashion market.

Krishnanagar Clay Doll Craft

Krishnanagar, West Bengal

Krishnanagar, in Nadia district of West Bengal, is famous for extraordinarily lifelike clay figures modelled in the Ghurni quarter: fruit and vegetables so realistic they can be mistaken for the real thing, figures of tradespeople and everyday life caught mid-action, deities, mythological groups, animals and portrait busts. The modelling attends to muscle, wrinkle, vein and the fall of cloth, and the painting is done from close observation of skin, produce and fabric.

Murshidabad Silk Weaving

Murshidabad, West Bengal

Murshidabad district in West Bengal is a major producer of Bengal mulberry silk, from cocoon rearing and reeling through to weaving. Its looms make fine, lightweight silk sarees — plain, striped, or with woven borders — much of which is then hand-painted or block-printed with florals, paisleys and figurative designs, and plain silk fabric that is sent for printing and garment work. The district was also the original home of the figured Baluchari saree.

Phulia Tangail-Style Saree Weaving

Phulia, West Bengal

Phulia, in Nadia district of West Bengal, weaves fine cotton and cotton-silk sarees in the Tangail tradition — a delicate tant with a plain or lightly striped body, a fine jamdani-style scattering of butis worked in by hand, a contrast woven border, and a jacquard-figured pallu. It sits alongside the older weaving town of Shantipur, and the two together form one of Bengal's most productive handloom clusters, supplying sarees across India.

Shantiniketan Batik & Leather Craft

Shantiniketan, West Bengal

Shantiniketan, the town that grew around Rabindranath Tagore's school and Visva-Bharati University in Birbhum, West Bengal, is known for two related crafts. Batik — wax-resist dyeing — is worked on cotton and silk for sarees, stoles, dupattas, kurtas and furnishing, with crackled grounds and floral, folk and abstract designs. And Shantiniketan leather craft makes bags, satchels, purses, folders, wallets, belts and footwear from vegetable-tanned leather, decorated with batik dyeing, hand-tooling, painting and embossing in tribal and folk motifs.

Shantipur Handloom Weaving

Shantipur, West Bengal

Shantipur, in Nadia district of West Bengal, is one of the oldest and most important handloom towns in the state, weaving fine cotton tant sarees known for a smooth, soft, close weave, a fine count, subtle self-stripes and checks, small jacquard butis, and a thin, neatly finished border — more restrained and refined than the bold-bordered Dhaniakhali or the figured Phulia-Tangail. Dhotis, gamchas and dress fabric are woven alongside.

249+Craft TraditionsAcross India
30States & UTsRich in craft heritage
Country WideSkilled ArtisansKeeping traditions alive
Centuriesof HeritagePassed down generations

Every craft has a story. Every story begins with tradition.