Naga Textile & Beadwork Craft

Warrior shawls with named stripes and cowrie badges, and necklaces of glass, shell, brass and bone.

Naga textiles are woven on the loin (backstrap) loom by the women of each tribe, and every tribe — Angami, Ao, Sema, Lotha, Chakhesang, Rengma, Phom, Konyak and others — has its own shawls, body-cloths and skirts, defined by their striped bands and by the right to wear them. Some shawls, such as the Ao tsungkotepsu, are reserved for men who have taken heads or given feasts of merit, and carry a painted or appliquéd median band with figures of mithun, elephant, tiger, spear and human heads. The ornaments are equally coded: multi-strand necklaces of red glass beads, conch and cowrie shell, carnelian, brass, bone and boar tusk, and armlets, headgear and ear ornaments for warriors and dancers.

Kohima, Nagaland

Craft at a Glance

Origin

Kohima, Nagaland

Also Known As

Naga shawl weaving, Naga loin-loom textiles, Naga tribal jewellery

Craft Type

Backstrap-loom weaving and tribal bead and shell ornament

Practising Community

Women of the Angami, Ao, Sema, Lotha, Chakhesang, Rengma, Konyak, Phom and other Naga tribes, each with its own textiles

Materials

Cotton, acrylic and blended yarn; natural dyes (lac, indigo, iron) and acid dyes; red and yellow glass beads, conch and cowrie shell, carnelian, brass, bone, boar tusk, hornbill feathers and goat hair for ornament; and cane and cotton thread.

Known For

Community-specific shawls and body-cloths with symbolic bands, and multi-strand bead, shell, brass and bone ornaments

Where It's Made

Kohima, Dimapur, Mokokchung, Wokha, Zunheboto, Phek and the tribal areas of Nagaland; related traditions in Manipur and Arunachal

Time to Create

Days to weeks for a shawl; days for a beaded ornament

GI Status

Chakhesang Shawl (Nagaland) is a registered GI; Naga textiles broadly are widely recognised

Process Steps

Dyeing the yarn

Cotton or acrylic yarn is dyed in the tribe's colours — deep reds, blacks, whites and yellows.

1

Warping the loin loom

The warp is prepared with the tribe's stripe sequence built in, tensioned by a strap around the weaver's back.

2

Weaving the body

The plain ground of the shawl or body-cloth is woven, the weft thrown by hand.

3

Working the named bands

The symbolic stripes and bands are worked in supplementary weft and warp, counted by hand.

4

Adding the median band

For shawls that have one, a separately woven or painted band with mithun, tiger and head figures is appliquéd along the centre.

5

Joining and finishing

Two woven widths are joined for a full shawl, and the ends are fringed.

6

Stringing the ornaments

Glass beads, shell, stone and bone are strung in patterned rows, and tusks, hair and brass heads are mounted on cane for headgear.

7

Technique Glossary

A Craft Through Time

Pre-modern

Cloth as status

Each Naga tribe weaves its own shawls and cloths, and the right to wear a design records heads taken and feasts given.

Late 19th century

Contact and conversion

Christian missions and colonial administration reach the Naga hills, beginning a transformation of society.

Mid-20th century

End of headhunting

Headhunting ends, and the warrior meanings of the textiles give way to identity and festival wear.

Late 20th century

Emporia and yarn

State emporia market Naga shawls, and mill and acrylic yarn change how they are made.

2000 onward

Hornbill Festival

Nagaland's annual festival gives Naga textiles and ornament a large public and tourist platform.

2017

Chakhesang Shawl GI

The Chakhesang Shawl is registered as a GI of Nagaland.

Did You Know?

The Ao tsungkotepsu shawl's median band, with its rows of mithun, tiger, elephant, spear and human heads, is a résumé in cloth — each figure records a specific feat the wearer or his clan was entitled to claim.

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Every craft has a story. Every story begins with tradition.