Bhopal Tribal Art & Textiles

Gond canvases and zardozi purses, gathered in Madhya Pradesh's capital.

Bhopal, the capital of Madhya Pradesh, is a gathering point for the state's tribal and courtly crafts rather than the origin of a single one. Pardhan Gond and Bhil artists from Dindori, Mandla, Patangarh and Jhabua live in or regularly visit the city, painting in the dotted and dashed styles of their communities and selling through galleries and the tribal museum. In parallel, the old city's Muslim artisans make the batua — a soft drawstring purse — along with caps and pouches worked in zardozi and zari, a legacy of the Bhopal Begums' court.

Bhopal, Madhya Pradesh

Craft at a Glance

Origin

Bhopal, Madhya Pradesh

Also Known As

Gond art, Jangarh Kalam (the Gond painting style), Bhopali batua work

Craft Type

Tribal painting and metal-thread embroidery

Practising Community

Pardhan Gond and Bhil artists resident in or visiting the city; Muslim karigar families of the old city for the embroidery

Materials

Paper, canvas, acrylic and poster paint and ink for the paintings; velvet, silk and satin, metallic zari, dabka, salma, sequins and beads for the embroidery; cord and metal frames for the purses.

Known For

Gond and Bhil painting on paper and canvas, and the Bhopali batua zari purse

Where It's Made

Bhopal city — the tribal museum, Bharat Bhavan and the old-city embroidery lanes; source villages in Dindori, Mandla, Patangarh and Jhabua

Time to Create

Days to weeks per painting; days per embroidered purse

GI Status

Not registered as a group; Gond painting has been proposed for GI protection

Process Steps

Preparing the surface

Paper or canvas is sized for painting; for embroidery, velvet or silk is laced tight onto a wooden frame.

1

Drawing the outline

The Gond or Bhil painter lays a firm black outline of the composition — a tree of life, animals, a deity, a village scene.

2

Filling with colour

The areas are filled with flat, bright, unshaded colour following the outline.

3

Adding the signature infill

Each colour field is worked over with rows of dots, dashes, commas or seed marks in the artist's community and personal style.

4

Transferring the embroidery design

For the purses, a perforated stencil prints the floral motif onto the framed fabric.

5

Couching the zari

Metal thread is laid on the surface and tacked down, and dabka and sequins are stitched in to fill the motifs.

6

Making up the batua

The embroidered panel is cut, lined and stitched into a drawstring purse or pouch with a cord or metal frame.

7

Technique Glossary

A Craft Through Time

1819–1926

Rule of the Begums

Four women rulers patronise embroidery and fine crafts in Bhopal state, seeding the batua tradition.

1982

Bharat Bhavan opens

The arts complex draws tribal artists to the capital and gives Gond and Bhil painting a public platform.

1980s

Jangarh Singh Shyam

The Pardhan Gond artist, based in Bhopal, turns Gond wall painting into a gallery art and trains a following.

Late 20th century

A market forms

Galleries, the tribal museum and craft fairs make Bhopal a place where the state's tribal art is bought and commissioned.

21st century

Gond art goes global

Gond painters exhibit internationally, and the style is widely licensed and, at times, imitated.

Present

A craft crossroads

Bhopal serves as a hub where the state's tribal paintings and courtly embroidery are made, sold and commissioned.

Did You Know?

Bhopal was governed by four successive Begums between 1819 and 1926 — their patronage is why a landlocked city is known for delicate courtly embroidery.

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Bhopal Tribal Art & Textiles | Kricee