Bareilly Zari-Zardozi Embroidery

Gold and silver wire couched into velvet and net, for wedding wear and furnishing.

Bareilly in western Uttar Pradesh is a major centre of zari and zardozi — raised metal-thread embroidery in which gold- and silver-coloured wire, coils, spangles, beads and stones are stitched onto fabric stretched on a wooden frame. Local karkhanas produce lehengas, sherwanis, saree borders, dupattas, wedding accessories, potli bags, shoe and slipper uppers, and furnishing panels and trims. Bareilly is often called India's 'zari city' because so much of the metal-thread trim used across north India is made there.

Bareilly, Uttar Pradesh

Craft at a Glance

Origin

Bareilly, Uttar Pradesh

Also Known As

Zardozi, kalabattu work, karchobi, zari-zardozi

Craft Type

Metal-thread hand embroidery (zardozi and zari)

Practising Community

Largely Muslim karigar households, with a very large number of home-based women doing piece-rate work

Materials

Base fabrics of velvet, silk, georgette, net and satin; metallic zari thread; dabka, salma, kora, gijai and nakshi coils; sitara sequins, cut-glass stones, pearls and beads; cotton padding thread for raised work.

Known For

Raised zari and zardozi on bridal wear, saree borders, bags, shoe uppers and home textiles

Where It's Made

Bareilly city and its qasbah towns in Rohilkhand, Uttar Pradesh; closely linked to Lucknow and Farrukhabad

Time to Create

Days to several weeks per garment or panel, by density of work

GI Status

Not GI-registered; Lucknow's related zardozi is a registered GI

Process Steps

Framing the fabric

The base cloth is laced taut onto a rectangular wooden frame so it stays flat and drum-tight while it is worked.

1

Transferring the design

A perforated paper stencil is laid on the cloth and dusted with chalk or ink to print the motif onto the surface.

2

Laying the foundation

For raised areas, cotton or soft thread is stitched down first as padding so the metal work will stand proud.

3

Couching the zari

Continuous metallic thread is laid on the surface following the design and tacked down with fine stitches from below.

4

Adding coil and wire work

Dabka and salma coils are cut to length and sewn on like beads; kora and gijai add matte and textured lines.

5

Setting sequins and stones

Sitara sequins, cut-glass stones, pearls and beads are stitched in to catch the light within and around the motifs.

6

Securing and finishing

All thread ends are fastened on the reverse, the piece is taken off the frame, pressed and, for garments, cut and made up.

7

Technique Glossary

A Craft Through Time

Mughal era

Court metalwork

Gold-thread embroidery adorns Mughal robes, tents, canopies and trappings, and the skill spreads to qasbah towns.

18th–19th century

A regional craft

Zardozi settles across the Rohilkhand and Doab towns as a hereditary workshop trade serving nobles and temples.

20th century

Export supply base

Bareilly's karkhanas scale up to feed the fashion, wedding and export markets.

Late 20th century

A home-based economy

Tens of thousands of piece-rate embroiderers, many of them women, work from home for city contractors.

21st century

Machine competition

Computerised embroidery imitates hand zardozi cheaply, pushing hand workers toward the finest bridal work.

Present

The zari city

Bareilly remains the main source of metal-thread trim and embroidered wedding wear for north India.

Did You Know?

Bareilly is often called India's 'zari city' — a large share of the metal-thread trim and embroidered wedding wear sold across north India passes through its workshops.

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