Assam Bell-Metal Craft

The xorai and the bota — Assam's welcome, beaten from copper and tin.

Sarthebari, in Barpeta district, is the centre of Assam's bell-metal industry, working an alloy of copper and tin into the vessels that fill an Assamese home and shrine: the footed xorai used to offer betel nut, gifts and prasad; the water-pot-shaped bota; plates (kahi), bowls (bati), tumblers, lamps and the tal cymbals used in kirtan. The finished ware is a pale golden colour, rings clearly when struck, and is central to Bihu, weddings and religious ceremony, where a xorai is offered to elders and honoured guests.

Sarthebari, Assam

Craft at a Glance

Origin

Sarthebari, Assam

Also Known As

Kanh craft, Sarthebari bell metal, xorai making

Craft Type

Bell-metal sheet forming and casting

Practising Community

Orja and Kohar bell-metal and brass smiths, organised through the Sarthebari cooperative society

Materials

Copper and tin (about four parts to one) for the bell-metal alloy; charcoal for the forge; tamarind pulp and wood ash for cleaning; lac for filling hollow handles and joining parts.

Known For

The footed xorai offering stand and other ritual bell-metal vessels of Assam

Where It's Made

Sarthebari and Sualkuchi belt in Barpeta and Kamrup districts; Hajo for brass, Assam

Time to Create

Two to six days per vessel, depending on size and the amount of chasing

GI Status

Not GI-registered; Assam's Muga silk from the same region is GI-protected

Process Steps

Alloying and casting the blank

Copper and tin are melted together to the bell-metal ratio and cast into heavy circular discs or ingots.

1

Hot forging

The disc is heated and hammered over an anvil by a team of smiths to begin drawing up the body of the vessel.

2

Annealing

The work-hardened metal is reheated between hammering rounds so it stays workable and does not crack.

3

Cold hammering and raising

Further hammering, cold and precise, forms the neck, shoulder and foot from the same piece of metal.

4

Turning and truing

The vessel is mounted on a hand lathe and trued so its rim and profile are even.

5

Chasing the ornament

Decorative bands and borders are punched and chased into the surface with hand tools.

6

Assembling parts

Separately cast components such as the xorai's lid, finial and foot ring are riveted or lac-joined to the body.

7

Scouring and polishing

The finished vessel is cleaned with tamarind pulp and ash and burnished to its characteristic golden shine.

8

Technique Glossary

A Craft Through Time

Pre-colonial

Ahom patronage

The Ahom kings settle metalworking families and use bell-metal vessels in court and temple ritual.

18th–19th century

Sarthebari and Hajo as centres

These towns concentrate the craft, with most households involved in some stage of production.

Early 20th century

The cooperative

Sarthebari's artisans form one of Assam's earliest cooperative societies to pool metal purchase and marketing.

20th century

A cultural symbol

The xorai becomes a standard emblem of Assamese identity, given at every ceremony and public honour.

Present

Under pressure

Steel and aluminium vessels and rising copper and tin prices squeeze the trade, though ritual demand keeps it alive.

Did You Know?

No Assamese Bihu greeting, wedding or religious ceremony is considered complete without a xorai — often filled with betel nut, a gamosa cloth and sweets — offered to elders and guests.

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